White embroidered linen played an integral role in the early modern death ritual, as a tool in the spiritual preparation of an individual for the afterlife.
In anticipation of Midsummer, we're looking at Malcolm Davies's photograph of Titania's bower from Adrian Noble's 1994 production of "A Midsummer Night's Dream".
Storyteller and exhibition curator Jan Blake tells us a little more about the themes of concealment and identity that are explored in the Shakespeare Stories exhibition in the RSC's Swan Bar.
Debate surrounds many portraits of Shakespeare, not the least of which is The Flower Portrait, an image that seems to coincide with his engraving in the first folio.